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Ок
Painting
Los comedores de papa
(The Potato Eaters)
ANGIE VEGA | COLOMBIA
The house depicted in this painting was built by my great-grandfather, much like many of the early working-class neighborhoods.
Vincent van Gogh’s "The Potato Eaters" served as an important point of departure for me. In that painting, the artist portrays a peasant family, emphasizing the dignity of people whose daily labor is inseparable from both cultivating the land and sharing the food gathered around a common table.

In Colombia, there is a popular expression, "Ganarse la papa" — literally, "to earn the potato". It refers to the necessity of working hard in order to provide for one’s family and preserve a sense of unity within the household. Many Colombian families have been compelled to leave the countryside and migrate to the cities in search of a better life. Many poor neighborhoods in Colombia were constructed collectively by their residents. Within this architecture of everyday life, I see the living memory of a family and an entire generation.

By drawing upon Van Gogh’s composition, I relocate its emotional resonance into a Colombian context, connecting a personal family history with the broader experience of an entire generation. For me, this painting is a reflection on human dignity, mutual support, and the ability to preserve a sense of community even in the face of hardship. I recognize the values which become part of the common cultural experience of humankind through the everyday acts of care, labor, and family memory.
Vincent van Gogh’s "The Potato Eaters" served as an important point of departure for me.
In that painting, the artist portrays a peasant family, emphasizing the dignity of people whose daily labor is inseparable from both cultivating the land and sharing the food gathered around a common table.

In Colombia, there is a popular expression, "Ganarse la papa" — literally, "to earn the potato". It refers to the necessity of working hard in order to provide for one’s family and preserve a sense of unity within the household. Many Colombian families have been compelled to leave the countryside and migrate to the cities in search of a better life. The house depicted in this painting was built by my great-grandfather, much like many of the early working-class neighborhoods. Many poor neighborhoods in Colombia were constructed collectively by their residents. Within this architecture of everyday life, I see the living memory of a family and an entire generation.

By drawing upon Van Gogh’s composition, I relocate its emotional resonance into a Colombian context, connecting a personal family history with the broader experience of an entire generation. For me, this painting is a reflection on human dignity, mutual support, and the ability to preserve a sense of community even in the face of hardship. I recognize the values which become part of the common cultural experience of humankind through the everyday acts of care, labor, and family memory.
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