The painting depicts an ancient tradition of braiding a girl’s hair — not merely a hairstyle, but a sacred ritual of passage marking a transition into a new social status. After this moment, the girl’s life will never be the same. That’s why I sought to capture on the paper the emotional state of transition: a subtle blend of sadness, joy, fear of the unknown, and the clear hope.
According to the tradition, the bride was expected to weep bitterly while saying farewell to her parental home, but I intentionally depicted her face expression calm and happy. As for me, in the present day, anticipation of starting a new family outweighs the sorrow of separation.
The symbolism of hair is the central part of the picture. A single braid always represents a maiden freedom. Two braids arranged as a crown signify the status of a married woman. One strand represents a young girl herself, the second is her family lineage, and the third is the family of her chosen partner. Intertwining, they form a unified family bond.
This ritual is not merely an ethnographic detail. In every culture there exist essential rites of passage from the past into the future. The farewell to the maiden braid is an image of maturation and readiness to assume responsibility for relatives. My work speaks about love, trust, and hope.